Through utilizing the technical and musical expertise of Cecil and Margouleff, Wonder’s creative genius was on full display. As a result, Wonder relocated to New York City and began recording tirelessly, splitting time between Media Sound Studios and Electric Lady Studios in New York City and Crystal Industries in Los Angeles.ĭespite not being signed to a recording contract, Wonder was determined to record an album to highlight his artistic growth and maturity. During that weekend, in late May 1971, they famously recorded 17 songs. The album got on Blanco's radar due to a glowing spread in Rolling Stone magazine.Ī couple of months later, Blanco introduced Wonder to the architects of the album: producers and engineers Malcolm Cecil and Robert Margouleff. He played Wonder Tonto's Expanding Head Band’s groundbreaking debut, Zero Time. While experimenting with music for his next album, Wonder was introduced to the electronic synthesizer sound by his bass player, Ronnie Blanco. After releasing 13 albums for Motown, he let his original contract expire on his 21st birthday on May 13th, 1971. In an effort to delve into Stevie Wonder's music-making process on Music of My Mind, we spoke with one of his most important collaborators: producer and engineer Malcolm Cecil, who provided crucial details and stories on how the 1972 timeless record was conceived and recorded.īy the beginning of the 1970s, Little Stevie Wonderhad grown up to become one of the most popular acts in music.
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